The 'Stolpersteine' and the Commemoration of Life, Death and Government - A Philosophical Archaeology
Reduzierte Artikel in dieser Kategorie
| Verlag | Peter Lang |
| Auflage | 2018 |
| Seiten | 222 |
| Format | 15,2 x 1,4 x 22,6 cm |
| Gewicht | 330 g |
| Artikeltyp | Englisches Buch |
| ISBN-10 | 3034319584 |
| EAN | 9783034319584 |
| Bestell-Nr | 03431958A |
Since the beginning of the 1990s, Gunter Demnig has been installing his Stolpersteine (Stumbling Stones) all over Europe to commemorate the victims of National Socialism. Today, the Stolpersteine constitute the world's second largest Holocaust monument. In this book the author addresses some of the most crucial issues raised by these memorial stones.
Since the beginning of the 1990s, the German artist Gunter Demnig has been installing his Stolpersteine [Stumbling Stones] all over Europe - including Russia - to commemorate the victims of National Socialism. Today, the Stolpersteine constitute the world's second largest Holocaust monument. In this book the author addresses some of the most crucial issues raised by these memorial stones.
Taking as his point of departure the philosophy of Giorgio Agamben, Michel Foucault and Martin Heidegger, the author discusses the juridico-political structure of the Third Reich in which the victims lived and perished and identifies a new paradigm for the commemoration of Third Reich victims. The subject of commemoration is in fact not the dignified subject of law, but the naked life of the Muselmann: he who can neither live nor die. This book analyses the challenge of the problem of history that the Stolpersteine testify to, and it discusses whether a unique monument such as the Stol persteine can somehow restore what was once taken from the victims.
Inhaltsverzeichnis:
CONTENTS: Working Philosophically with Commemoration - Stumbling upon Victims of National Socialism - The Muselmann, or Eliminating Subjectivity - The State of Exception as Paradigm for the Third Reich - Home and Being: Memory between Cartography and Ruin - Contextualizing the Stolpersteine - Art as Ritual Normalization of the Past
